Fifty years is not six months, no matter what they tell you. Hugh and Fernando embark on a crusade. Eric goes to Rome on business for the Knights of Lazarus. And Addison gets to work, biding her time until she can find a way home. But something in the summer air disturbs the family. Memories come back to haunt some, while odd encounters unsettle others.
Eric de Clermont has spent the last fifty years overcoming the losses of his human life and coming into his own as the young son of Hugh de Clermont. Back in the 21st century, Addison has spent the last six months trying to make sense of her mind and the world around her. Finally getting back on her feet, the last thing she wants or needs is a trip to 13th century Spain.
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The complications Jack gets into with Isaac Newton are nothing compared to those awaiting him at the court of Queen Anne. 1704. Story #15 in Six-Crossed Knot.
The story of Diana's death, including a flashback to Philippe's death.
Sorley, an honorable warrior in the Scottish Highlands, struggles to strike a balance between the ambivalent ruling class and the hungry villagers he feels honor-bound to safeguard. When a foreign serf girl arrives in the village, he quickly finds himself forced to confront his misgivings with the laws of the land, and take a stand for what he believes is right. Gallowglass/OC
Este es un Fan–Fic de “El descubrimiento de las brujas”. Todos los personajes pertenecen a Deborah Harkness. Comienza con ausencia y deseo. Comienza con sangre y miedo. Comienza con la desaparición de la bruja. Mientras Diana está alimentando a su pequeña bebé, Raquel, la niña desaparece mágicamente de entre sus manos.
In 1666, Jack helps Freyja with a high-stakes gamble at the court of Louis XIV. Story #14 in Six-Crossed Knot. Sequel to Winter's Rages.
Matthew learns something about Diana. One shot from Matthew's POV, exploring his reaction. Spoilers for Shadow of Night. There aren't many fanfics for this series but I just love these books so couldn't resist. Please R&R. Rated T for safety - nothing explicit.