There is that moment between sleep and awake, when heavy droplets of dew cling to the fabrics of their tents and not a sound can be heard, when Bellamy is acutely aware of the world around him. Those first nights on earth were the hardest ones, without the lull of the Ark's vent system to pull him back to sleep. He savours the silence, all too rare these days, and the warmth of his

AU. The laws are clear: to be crowned Queen of Eala, a princess has to be married. Emma has a month to find a husband, or else the crown will be snatched from her and given to the only other heir to the throne, one Killian Jones.

"I could have just pull it up in a ponytail, you know." "All the women of Arendelle wear their hair in a braid," Elsa replies, her voice not leaving any place for a comeback.

Bellamy is good at talking to the Hundred, Wells is good at coordinating the building of their camps-slash-village, and Clarke… well Clarke does her thing, and it involves a lot of bruises and cuts, and a lot of diplomacy.

Collection of modern AU drabbles

three times they aren't reunited, and one time they are

Her first thought, oddly, is "I shouldn't have yanked the IV line." (Her second thought is "Is that the real Starry Night?)

"She had that unique way of opening the portrait on her way in, with a flourish, for her life was this grand performance and everyone around her was a spectator." AU w/ character swap

"We could elope, you know. Run away to some Muggle town in the middle of nowhere." A Remus&Lily fluffy friendship one-shot

"Buy one, get three for free", or how Lily has an history with each Marauder.

Modern Lieutenant Duckling. "I'm not interested in being made the butt monkey of the school, or being some social experiment where you're trying to have me elected prom king or what have you, until we realise we've been falling in love all along and have our first kiss on an Adele song. Not interested. Savvy?" "I – I'm not planning to fall in love with you." "Good. Neither am I."

He stands there in nothing more than a bathrobe, looking down to his phone and apparently oblivious to the attention he's getting from young female artists thirsty for male subjects to draw. (The reason he's here, mind you. But, still.)

Emma can't even begin to explain her need for open spaces, countryside and forests, because the girl standing in front of her is all to fond of staying indoors to understand such urges. Instead, a smile slowly creeps on her lips. "Come with me."

Marian notices her the first time she settles in camp with the Merry Men – far enough from the little streets to have enough privacy, close enough to help in case of emergency. It is strange, a woman that is not her, but Marian doesn't think much of it at first.

Collection of Clarke x Lexa drabbles for Femslash February

She remembers the party, the one Raven had forced her to attend, and… And that's about it, really, because she has no idea how she ended up in the Alpha Rho Kappa house when her last memory is of tequila shots at Grounder's. Great, just great. At least it's Saturday – no classes.

She needs only one glance his way to know, because it's written all over his face, and in his tenses shoulders, and his stiff muscles – he's a ticking time-bomb, her brother, ready to explode if he spends one more minute without his princess. (spoilers for 2x10)

It happens without her noticing, and then it's too late, then she can only acknowledge its presence, can only stare and wonder when it happened, when everything went wrong.

You are the daughter of the forest with flowers in your hair. You are the daughter of the forest in a jungle of concrete.

They say sometimes actors fall in love on set because of their characters' storylines, because they can't tell which feelings are real and which are fiction. This isn't true. [Hollywood AU]