There's not a job in town, so sometimes you've gotta find other ways to make your way in life. Now she's got dead men's blood on her dress and her skin, but she doesn't know when she last felt such a rush. / / bonnie&clyde au

He's not having a panic attack. Why would he be having a panic attack? It's not like he's planning on confessing his feelings to possibly the love of his life in a few short minutes. / / missing scene from 117 in which ward has an epiphany in an air duct.

twenty nine times the universe is cruel to Skye and Ward, and steals away their chance at a happy ending.

Skye flexes her fingers. She stretches towards him, brings her index finger and thumb closer together. Slowly. He tried to hurt her. He has to suffer for it. She is a deity compared to him. / / in which Skye and Ward burn worlds and each other.

When she's little she doesn't understand that not everyone grows up with two aunts, three uncles, an absent but fugitive father and no last name. She thinks everyone lives on planes and has visited more countries that most people can name by the time they are five. / / in which Skye has a child who grows up trying to deal with her parents' seriously messed up relationship.

She laughs, leaning into his chest. "I'm a proper Southern girl, you'll make me untidy." Ward feels like the only part of that statement that might be true is that she's Southern. / / southern gothic au

In her nightmare she sees a gun at her stomach, she feels the sharp, sudden jolt of the first shot, and then the duller ache of the second. She sees blood, covering everything, consuming her in red, and in her dreams the team never saves her. / / In which both Skye and Ward are trying to deal with the aftermath of trauma.