S

Sandrine Shaw

  • 50 Ways to Kill Your Lover

    Messing around with Rogers is of no concern to his mission, one way or the other. It's not going to put his cover at risk and he's not about to let it emotionally compromise him, so there's no reason why he shouldn't. It's as simple as that. [Steve Rogers/Brock Rumlow, Steve/Bucky (implied), "Captain America: The Winter Soldier" compliant]

  • Proxy

    She sleeps with Connor because he's not Monroe. (Episode tag for 2x13 Happy Endings. A Charlie/Monroe fix-it of sorts... except not.)

  • Lifelines

    Joey is twenty-seven when he's pronounced dead.

  • After the Flood

    He's the loneliest person she's ever met. He might even be lonelier than she is. [Quick episode coda to "Après Moi, Le Déluge". Klaus comes to find Cami.]

  • Impasse

    There's something different about him now: a hollowness behind his derisive little smile, a fakeness in his nonchalance, a lack of conviction when he playfully chides her for not having managed to leave this boring place behind.

  • Haemodynamics

    "I don't spend much time thinking about rotters and their dicks." He's done with this whole stupid conversation.

  • The Sum of Our Memories

    The first thing he says to Steve is, "Didn't I tell you not to do anything stupid until I was back?"

  • Portrait of the Artist as a Middle-Aged Man

    "That's a terrible idea." Even to his own ears, his protest doesn't sound very convincing. Blair merely raises an eyebrow. "You keep saying that, but frankly, with your track record, I don't see why anyone should ever listen to your opinion about relationships." (Dan/Blair/Chuck, future fic)

  • Open Road

    When the Patriots are defeated and things have calmed down a little, Bass sets out to search for Connor. Charlie tags along, and then it's just the two of them and the road again, just like it used to be before Willoughby and yet nothing like that at all.

  • the distance between us (is littered with the ruins you left behind)

    Rachel and Bass, they're the explosions. They're fire and destruction, they'll leaves ashes and ruins in their wake, and Miles is the one who lit the fuse.

  • The Chill in Our Bones

    The one where Stiles brings back Allison, and everyone knows that this is not a good thing but they can't stop being happy about it anyway. (Derek/Allison, post 3B)

  • Thicker Than Water

    He's come to associate the coppery, salty-sweet taste of blood in his mouth with Damon Salvatore. (Damon/Matt, a 5 things type a story)

  • Terms of Endearment

    In the aftermath of Damon going off the rails with Enzo and almost getting Jeremy killed in the process, Damon and Jeremy talk. (Coda to 5x15 Gone Girl, Damon/Jeremy... sorta)

  • Paint the Night Red

    Funny, how angry people always seem to be drawn together, as if the universe was setting them up for the clash, angling for violence. (Boyd/Mara, episode tag for 5x05 Shot All to Hell.)