The tiny space ships that brought to Earth the infants that would grow up to be Megamind, Minion and Metro Man were programmed, not just to go to the same planet, but the same house. What's up with that? (Main characters are Metro Man's parents and a bunch of OCs.)
Dating Megamind, dealing with her family's issues, Roxanne is the one with the angst this time. Post-movie. This story was originally posted to the megamind movie LiveJournal community in March of 2011. I'm reposting here because redundancy is good, plus the system for accessing old stuff here is much better than LJ's. Doing a little editing while I'm at it.
Post-movie. Bernard takes legal action against the city's blue hero.
AU: The Master of All Villainy and his henchfish get a message from a group of fellow survivors of the destruction of their homeworld, inviting them to leave Earth and join a colony. But can Megamind just leave Roxanne behind? And what about their fellow alien, Metro Man? Warnings: sexytimes, nudity, cuss words.
Wayne Scott, by faking his death, perpetrated a massive public fraud and the city's new hero is powerless to bring him to justice. So Roxanne will have to do it. Rated M for sex and language.
Even as Music Man, Wayne Scott feels a need to keep his alien nature as hidden as possible while still getting his, ahem, other needs met. Told from an OC point of view. Rated MA for sexytimes.
At the end of "The Glove Thing," Megamind and Roxanne made a date. This is how that date went. Rated M for sex.
A wee plotless drabbly sort of snapshot of Megamind and Minion coping with sweltering weather.
The Evil Overlord tries to use his skills as an inventor to get himself a good woman. This is kind of my homage to the black-and-white movie era that originated the superhero idea, so it contains some retro attitudes. AU, non-con sexual situation. This is the one I got grief for on LiveJournal because somebody didn't see the NON-CON warning. But it's not as dark as you might think.
Tiny one-shot set just after the movie. Will the relationship between Roxanne and Megamind be entirely a matter of her leading him over to the side of good, or will there also be a little bit of influence in the other direction?
Metro Woman can't get laid without killing her partner. Maybe her brilliant blue nemesis can help. Pre-movie, partial gender-bend, tents. Rated MA for sex. Also, there's a very long crime-fighting sequence leading up to the lovin'.
After Megamind becomes Overlord, the inmates of the Metro City Prison for the Criminally Gifted wonder: will he remember them? One-shot, rated T because prisoners cuss a lot.
Minion tells the story of how his people and Megamind's came together. It's what he learned on their home planet, taught young Megamind when they were kids in the prison, then later told Roxanne. Eventually he was filmed telling it and the video played on a continuous loop at the museum. Rated K for mention of genocide.
Very short story of an incident of danger in the Megamind household.
In this AU, baby Roxanne is the last survivor of the destruction of Earth. There's actually very little there about her as a baby; it skips pretty quickly to her adolescence and young adulthood. Characters include Megamind's father.
Two post-movie babyfics. Follow-up to Becoming a Family.
Sometimes there's a moment when friends and lovers become family, even if they're three different species. More often than you might thing, it's at times of danger and discomfort.
What if Megamind really tried to rule the city instead of just messing around with it? An AU that starts with Bernard not being there at the museum. Warnings: sexytimes, cuss words, violence, gore.
Metro Man and the Metro City chief of police discuss what to do about Megamind and Minion. They don't see eye to eye. Rated K for one cuss word and some discussion of gore.
A possible description of the few minutes after those words were spoken in the exercise yard of the Metro City Prison for the Criminally Gifted