Tomoka, accidentally, walks in on Ryoma and Horio. Doing things. More than once. Wow. Humorous, but not crack. No flames.

Atobe, and Ryoma, as kings of Hell and Heaven, respectively, check up on the man who now lives without them. past atoshiryo.

Ryoma and his boundless tolerance for Atobe-with-a-cold. Love is expressed in not-so-loving words.

If Peter Pettigrew were to write a book about his life at Hogwarts, it would definitely be titled 'Peter Pettigrew and the Unenviable Ability to Walk in on Prongs and Padfoot Necking' (under the pseudonym 'Rat Bastard', because if Peter's faced with an opportunity to humiliate himself, he grabs it). (marauders' era, james/sirius from pov peter)

Sirius is adrift.

Sirius doesn't take James's declarations of love seriously, thus suffering through events that he could have avoided otherwise and still have reached the same outcome. (Marauders' Era, the best of them all)

Malfoy, who has liked Harry for quite some time, finally gets the opportunity to kiss him; Harry gets to see two sides to the same person, but can't decide which one to believe in.

In which Atobe's life isn't perfect. At all.

How Levi develops feelings for Eren after the 57th expedition and the subsequent disasters (and how Eren does, too). Canon-divergent, branching off after the events in Sina. Warning: extremely boring.

Ryoma doesn't want to wear bunny ears. Just because he's wearing them, doesn't mean he wants to wear them. (Somewhere in the Great Backstage of Life there is Atobe apologizing, because that's what boyfriends do - accept ridiculous dares from friends and then apologize to their lovers. "Do it for the dare.")

Because, to miss someone whose heart and mind you broke, it is unfair; but miss them you still do. (Ryoma's voicemails to Atobe, set after Voicemail.)

Tezuka is in Germany, and so Momo writes letters to him, getting jealous over Tezuka's hot (and unbeknown to him, lesbian) therapist, and frustrated over the action Ryoma and Kaidoh are getting. With each other. Unfair. He gets to sit here and write to someone thousands of miles away. Tezuka replies. Because he's in love.

How Keigo and Ryoma move on. Sequel to Wry, and Awry. All the poetry in this is Pablo Neruda's.

Niou's libertine affairs with Sanada, Kirihara, and lipstick. (for bane).

Ryoma should think about acting as a career (you sly fox, you) and Atobe should think about not being so slow to understand Ryoma's motives and his own feelings.

Simple motives and actions lead to complicated (but uncomplicated) consequences. You pay for what you've done/As you sow, so shall you reap. Royal Pair... at first. (I'm sorry, too.)

So Ryoma has a wife who makes lunchboxes for him (and him only, as Ryoma is only too happy to point out). Pretty short.

Shiraishi feels left out. Everything falls apart.

Keigo and Ryoma contemplate upon insanity while quoting song lyrics and trying to keep conversations off-track but kind of failing.

Ryoma checks his voicemail after a long time, only to listen to the gradual degeneration of Atobe Keigo.