b

bottledlogic

  • share the cost (and see the light)

    In which Steve and Maria have a conversation about freedom and responsibility, over pizza and Tony Stark's incessant interruptions.

  • pieces

    Emily in Paris, in which nightmares bleed into reality. [dark and angst-filled.]

  • to count for eternity

    Spencer Reid isn't weak. / Set at the start of season 7, post-Doyle; Hotch/Prentiss; a lot of Reid POV; character death / [Nominated for the 2014 & 2015 Profiler's Choice Awards - Best Spencer Reid]

  • one of us

    Steve catches up on a significant part of modern culture. (Tony helps. Sort of.) / [for International Fanworks Day 2015]

  • i'll swap you time, for a chance

    It's Christmas at the Tower. (Or, bets are made, Tony and Bruce build flying robots, Thor gets excited about Asgardian cooking, and Maria just wants Clint to stop singing.)

  • one for you, and one for me

    'It's kind of like alphabet soup - words and letters all jumbled up with nowhere to go.' Hotch/Prentiss, short pieces for each letter of the alphabet, set mostly during season 3 through mid-season 4. [REPOST #3 because of formatting issues. sorry, folks.]

  • for the soldier

    She presses the button, flames erupt, and a hero plummets into the water again. She really should apologise. Set post-CA2.

  • we fall through the gaps

    'This is us - before, after, and everything in between.' Doyle arc, Hotch/Prentiss, potential AU.