L

Lizicia

  • I Hold The Ashes In My Hands

    'Since Wells has been awake from his two-week long coma, Caitlin has come to see him every day, smuggling in chocolate pastries, while doggedly refusing to say anything about the explosion or what happened after. Later, she would say, when you're better.' Caitlin/Wells, if you squint really hard, immediate aftermath of the explosion.

  • The Ghouls Come Out to Play

    'She might've told Ressler she hated this job but truthfully, the truth he was also thinking but had the courtesy not to say out loud, was that if she really, truly hated it, she could leave, she would've already left. No matter the price on her marriage.' Keen/Ressler, post-Madeline Pratt.

  • Your Future In The Palm Of My Hand

    'Caitlin and Ronnie shake hands, all the while smiling at each other with a peculiar softness and Wells gets the very clear sense that something unexpected is transpiring in front of him, something he hasn't accounted for.' Caitlin, Wells, and Ronnie, before the explosion.

  • Hurts (Like Brand New Shoes)

    'She doesn't prompt him to say anything, doesn't ask him if this thing he has with painkillers will be a problem going onwards but he can almost sense the question in the air and suddenly wants to tell her.' Keen and Ressler tell some truths after 2x07.

  • My Lies Are From My Heart

    'Rivka smiles but it isn't a friendly or even a casual smile, though it might seem so to a bystander. It is a dangerous smile because her presence in his house is already alarming.' Eyal's boss Rivka pays him a visit. Annie/Eyal-centric, post-5x04.

  • I've Walked These Miles In A Straight Line

    'Annie lies on the warm sand and thinks 'This is how I die'. But she doesn't and she would prefer to stay that way'. Annie/Eyal, post-5x04.

  • My Eyes Are Open (My Heart Is Closing)

    'It's not until she's weighing the gun in her hand – she can almost feel the strings attached to it – that she works out why she doesn't want to work for McQuaid. It's not really about patriotism or serving her country. It's about her.' Annie-centric, post-5x03, with a side of McQuaid and a side of Eyal.

  • Take What You Need (I'll Give It All)

    'They clink glasses but Annie watches Eyal and suddenly knows that this is the epiphany people experience when the shortness of their lives has been made clear to them. She doesn't want to lose to death; she wants to grab as much of life as she can.' Annie/Eyal, post-5x04.

  • The World Was on Fire (Nobody Could Save Me But You)

    'Ressler can withstand a lot. But he almost loses his self-control when he sees Keen strapped into that chair and Reddington hovering over her like she holds the secrets to the universe and only he is privy to them.' Keen/Ressler, post-2x10.

  • Qui multum habet, plus cupit

    'Hartley Rathaway has never quite understood wanting something, at least not in the way people around him seem to want things because he always goes and takes. That is, until he meets Harrison Wells.' Pre-series, one-sided Harrison/Hartley.

  • What I Found Was A Gamble

    "You know, after the explosion, I wanted to hate you so much." Her voice is merely a whisper but he can hear every word perfectly clear and each one of them only confirms his silent fear that he has succeeded in driving her away. Caitlin/Wells, coda to 1x11.

  • I Find Myself In Your Hands

    Wells receives an invitation to CERN and takes Caitlin with him. Pre-series, AU.

  • One Need Not Be A Chamber To Be Haunted

    'New Year's Eve found Caitlin sitting on the roof of the S.T.A.R. Labs and admiring the view it offered her of Central City, lighted up and twinkling below her.' Caitlin and Wells and New Year's Eve.

  • I'll Tell You My Sins (So You Can Sharpen Your Knife)

    'Ward has always expected Skye to understand what he's done. He wouldn't have asked for her to forget but he was counting on her eventual forgiveness. The four shots, aimed from behind and with absolute intention to harm, made it clear that he might have miscalculated her.' Skyewardish, post-midseason finale.

  • Pick Me Up When Lights Go Out

    'In all the mayhem with the man in the yellow suit, Caitlin has almost forgotten that it's Christmas but she remembers just what she was doing when she saw Ronnie.' Or, Dr. Wells receives his Christmas present. Post-1x10, Caitlin/Wells friendship.

  • The Planets Bend Between Us

    'One morning Skye feels the universe shift, something disturbing its very nature deep in its core.' Skye's father returns with a vengeance, dark!skyeward, post-"Like Forgetting the Words to your Favourite Song."

  • Like Forgetting the Words to your Favourite Song

    'She is a billion years old. She is the universe and all of it makes sense in a way it never has before. The universe is her mind.' Dark!-ish skyeward.

  • These Dreams Under My Pillow

    Before Caitlin had a Ph.D. and worked at S.T.A.R. Labs - just how did Dr. Wells find her and she ended up working with him? Post-1x04.

  • I've seen fire (and I've let it burn)

    When Ward kisses Skye, something seeps into her blood. Skye doesn't know it yet but she's been marked. And marks are meant to be caught. Or, Berserker rage and an 0-8-4 are a dangeours combination. Dark!skyeward, divergence from season 2 canon.

  • Of Everyone I Ever Knew (I'm Giving It All To You)

    'She never thought she'd wear white again. But this time it will be different and it will be better because the man she is about to marry isn't a double-agent, sent to spy on her and use her. Donald Ressler doesn't rush things, not even for her, so she's had to wait for this.' Liz/Ressler, futurefic.