It's easier to find a solution at the bottom of the bottle then it is to talk. - —Carla/Peter, rated a high T.
Christine breaks some devastating news to Robert. - —Christine/Robert friendship.
A small one shot based on episode 3x06 "The Gooseberry Bush" - —Rosemary.
AU. Between 1983 and 1990 Eddie kept meeting Amanda. - —Eddie/Amanda, rated a high T.
AU. Cassandra Willis (nee Adams) hasn't had an easy life but she knows there's not a lot you can do. You can't change the cards life deals you, all you can do is sit back, play the game and hope you stay alive. - —OC, set during series 9; scenes of domestic violence. [one/?]
AU. Ally Hunter wakes up in a completely different universe, will she ever find her way home? - —Ally/Daniel, set in series ten.
Eliza Barratt has it all, the brains and the beauty. Sent to Holby for her eight week placement, she impresses them on her first day when she correctly diagnoses a mystery patient. However that's the least of her problems, Charlie's convinced he's met her before and then she realises she's fallen in love with Ethan. With history repeating itself, can she make the right choice?
AU. Perhaps unintentionally, Sarah Evans need for perfection was inherited by her daughter. The same daughter who only wanted her mother to tell her she loved her but never heard it. Now there's nothing, just a dead daughter, a suicide note and Sarah wondering if she could've prevented such a tragedy. - —Sarah/OC, warning for a small description of suicide.
He sort of understands and that's okay — because at least she isn't truly on her own, with her mixed emotions. / Rachel and Charlie discuss their relationships with Baz and Mike. - —Rachel/Charlie, friendship, one-shot set during "compensation"
"I know I was the one who told you to go back to Anne because, as much as I didn't want you too, I knew you had too. I just — I never expected you to come back, when you left, I thought it was forever." - —Rachel/Mike, one-shot, set during "compensation"
A quiet shift becomes anything but quiet when a five year old stab victim is brought into City Hospital along with her psychotic mother. Now it's up to the team to attempt to piece together the events of that evening before one of them is seriously hurt again. - —set late '94, early '95.
The sound of smashing glass breaks through her thoughts and as she stares at the broken glass on the floor, she realises it represents how she feels. Completely shattered, completely broken. - —Jill/Gordon, set after the last episode.
She swallows away the emotion, forces a smile and says out loud that she's okay but the reality couldn't be more different. / Facing her biggest challenge yet Rachel must learn to lean on those around her. - —Rachel, six small drabbles.
the children are the only ones who mattered in this, the innocent ones. - —Fletch/Natalie, extended scene "the great pretender"
Seventeen year old Lindsey Baxter lives alone with her four week old son. Struggling to make ends meet as well as going to school, Lindsey finds herself drawn to Dixon a man from her past. He gives her what she wants but at what cost? - —Karen/OC. / mentions of prostitution, self-harm and violence.
because he'll never be hers and she'll never be his, not really, not properly. - —implied Jill/Adam, small drabble.
[INSPECTOR MORSE] all those thoughts and feelings are brought to the surface. - —Sylvie, mention of child abuse.
[THE VICE] It's funny how everything's controlled by addiction. - —Cheryl, short drabble.
[THE VICE] After her addiction, Pat looks after Cheryl. - —Cheryl/Pat, short story.
Mandy and Tessa were inseparable so when Tessa became pregnant, she didn't think twice about asking Amanda to raise her daughter. Fast forward fourteen years and Rachel's kept that promise, raising a beautiful intelligent daughter who knows the truth. But Stuart Hordley's intent on exposing Rachel's past and getting back his daughter, once and for all. - —Rachel/OC.