Philadelphia has fallen in love with the John Doe brought in to Jefferson Hospital's emergency room with his pockets filled with a strange assortment of objects, but no ID. When Kurt sees John Doe's picture on the evening news in New York, he can't believe what he's seeing, and Rachel won't believe it. Finn Hudson died two years ago; he can't be the man in the pictures.
On the night of junior prom, Kurt is crowned prom queen and runs out of the gym into the hallway. Instead of Blaine following him, Kurt instead runs straight into Finn—literally—and changes the course of both their relationships.
The first one is spontaneous. The second one is planned. The third one means no br [Please note this is psychopaths in love/serial killers fic, so the content is very blood/gore/torture-centric; not our standard fare, I know, but we mainlined Hannibal over our holiday break!]
Finn and Kurt make a pact to keep each other from hooking up with their exes during Will and Emma's (failed) wedding. Of course, the pact didn't specify hooking up with each other instead, but why question a good thing when it happens? Sure, most hookups aren't planned weeks in advance. Most hookups don't last an entire spring break or three months of summer, either.
A small part in the school musical. Rachel running against him for senior class president. Uncertain college prospects. Kurt wanted his senior year to be magic; so far it's been anything but. Blaine's startling actions provide a catalyst for Kurt to reevaluate his relationships, and Kurt discovers that he and Finn have even more common ground than either of them thought. Will the u
Kurt Hummel thought he could get over his crush on Finn Hudson, but instead his feelings only become deeper as he tries to distract himself with other relationships. In the wake of Blaine's unexpected proposal, Kurt decides it's time to do something drastic to help himself move on, but the outcome isn't what he expected. Kurt spent so long trying to get over Finn, but now it turns
What if Burt hadn't interrupted Finn's homophobic tirade in "Theatricality," leaving Kurt and Finn to work things out on their own? Given enough space, perhaps the two could talk through their immediate problems and the root of those issues. Being stranded at an exit in Piqua, Ohio, provides all the space they need.
At almost 30, neither Finn nor Kurt's lives are anything like what they'd hoped for. Rachel's Broadway and music career is at its peak, Blaine devotes day and night to his work at the hospital, and Finn and Kurt have spent too many nights empty and alone. Meeting for drinks on Monday night sends them into a spiral of passion and guilt, forcing them to examine whether their marriage
When Rachel Berry tells Finn the truth about Quinn's pregnancy, he feels like the whole world is falling down around him and that nobody else even cares. What Finn needs is a pizza, a football movie, a shoulder to cry on, and a way to get even. Kurt Hummel is just the right person for the job.